Diary of a drug addict Review Essay Example

Diary of a drug addict Review Paper Essay on Diary of a drug addict I have long wanted to read this book. Perhaps, in that I was ahead of time was fascinated by it. Yes, and the first chapter did not disappoint me. The events are described colorfully, almost poetic. We will write a custom essay sample on Diary of a drug addict Review specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Diary of a drug addict Review specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Diary of a drug addict Review specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Struck clear statement of the language; Some feel that it is very difficult to describe in words, Crowley shows clearly and precisely, that I could not resist rastaskat his citations:.) But gradually the book began to irritate me Especially annoying arrogance top heroes. That their (perhaps unobtrusive other readers) snobbery and division of people into aristocrats and plebeians called aversion In fact, the three main characters:. A young English aristocrat Sir Pendragon, his wife Lou and dope. Oh yes I forgot about the mystical experiences. I did not arouse respect protagonists, so stupid to burn their lives. Their relationship was born in passion, develop under the influence of drugs and mysticism, from time to time give a break from the over-blown pride. That only is the period when Lou fancied himself almost a goddess? At one point I even thought that Crowley promotes drugs, while his characters are close does not come close to the abyss. Surprisingly, that addicts Welsh heroes can understand or even sympathize with them, but Crowleys heroes to me too far. Maybe I just do not have enough of aristocracy. Surely, I plebeian:) I think the novel is more mysterious than the counter-culture. At least he was not in so much counter-culture as I expected:) For those who love the abundance of mysticism welcome For me, this novel what a contrast. shower: first hot Ecstasy, closer to the end a sharp disappointment .

The Moral Implications of Abortion †Ethics Essay

The Moral Implications of Abortion – Ethics Essay Free Online Research Papers The Moral Implications of Abortion Ethics Essay One out of every four woman made the choice of abortion and the total number of abortions since 1973 is 38,010,378, according to the Alan Gutlmachen Institute in the United States. Abortion rates are increasing every year and have been the world’s controversial topic since the 1980’s. Although many still think that abortion is morally wrong, it is a justifiable issue no matter how one looks at it. Because abortion is women’s freedom of choice and not a sin nor a murder, it should be morally accepted on any level. In civil liberties, abortion is an individual’s choice. As it is in the Constitution, every individual has freedom of choice and the government has no right to take away his or her rights and doing so would be violation of â€Å"privacy†. Hence women can control their own body and make their own decision for themselves. No one is justifiably has the right to tell someone else what to do with one’s body. Another justified reason of abortion is that sometimes women may accidentally get pregnant without their intention. Career women or teenagers may make a choice to abort because of job to do than just to raise a baby otherwise the outcome will be unfortunate for both mother and the baby. Although one may be unfortunate or feel guilt for rest of their lives for abortion, people are given responsibility to bear them. All person must be given full rights unless its existence interferes with the â€Å"right of life, liberty, and pursuit of happiness.† Not only is abortion â€Å"private choice,† but also does not violate any sin or religious beliefs. Most pro-life supporters refer to the Bible and the Christian belief to justify their view. In fact, abortion itself is not mentioned in the Bible at all. Anti-abortionists show two arguments to support their ideas; however, they are all flawed. First, in both Psalm 139:13-16 and Jeremiah 1:4-10 King David writes that God formed him in the womb. Most Fundamentalists use the argument that God â€Å"knew† his pre-ordained leaders in the womb, and therefore, it must mean that God considers us fully human at conception. This refers that human beings are fully human before the egg and sperm; however it is all flawed. Second common excerpt of pro-life supporters comes from the Ten Commandments. â€Å"Thou Shalt Not Kill.† This does not specifically tell what we cannot kill. The Fundamentalist believes a pre-born fetus is the same as a full term human being. God however, does not. In exodus 21:22-25 God says that if a man accidentally kills a pregnant woman, that man should be condemned for committing murder. However, if he only kills the fetus-if she miscarries-he is not condemned for murder. Therefore, because God does not consider fetus as a human being, abortion is not a sin. Abortion is neither can be suppressed under government nor unjustified because it is not mentioned in the Bible. Abortion is also a moral choice because it is neither murdering nor harming a human being. Anti-activists argue that zygote, which is a fertilized cell, contains the entire DNA necessary to grow into an independent, conscious human being, which is a potential person. But being alive does not give the zygote full human rights-including the right not to be aborted during its gestation. Also, left to grow, it will always be ameba and never a human being. Moreover, consciousness normally does not occur until months, an even year after a baby is born and such individual personhood does not occur until after birth. A gestating fetus has no rights before birth or even after birth. Thus, it is not murder because it is not killing or destroying an independent person. Abortion is an absolutely moral choice for any women wishing to control her body. It is a religiously accepted, morally correct, and a justified right and freedom for women. No one feels good about abortion and killing the embryo. It surely is a hard decision for women. Some may even live the rest of their life with guilt. However, it is important that we understand their situation and why they had to choose abortion, and we should help them, rather than condemning them as â€Å"murderer.† Research Papers on The Moral Implications of Abortion - Ethics EssayPersonal Experience with Teen PregnancyComparison: Letter from Birmingham and CritoCapital PunishmentThe Fifth HorsemanInfluences of Socio-Economic Status of Married MalesArguments for Physician-Assisted Suicide (PAS)Canaanite Influence on the Early Israelite ReligionRelationship between Media Coverage and Social and19 Century Society: A Deeply Divided EraGenetic Engineering

Globalization and HRM Strategies Essay Example | Topics and Well Written Essays - 1000 words

Globalization and HRM Strategies - Essay Example About 40% of the company’s revenue is generated from U.S. markets. Together with its bottling partners, Coca Cola Company is ranked among the top ten private employers with over 700,000 system employees. The main role of HRM in every company is to hire, train, and to develop employees and even to punish or dismiss them whenever necessary. Being a company with branches, outlets and subsidiaries in several countries, the culture of various host countries has been a major consideration to the Coca Cola’s human resource department. The human resource has amended its policies to allow room for considerations regarding the cultures of the various host countries (Farnham & Chartered Institute of Personnel and Development, 2010). With the changing culture, the coca cola human resource management function is charged with a mandate to provide the glue that binds the diversified cultural groups into Coca-Cola family. The company’s human resource management always propagates a common human resource philosophy within the company. To overcome the cultural barriers, the Coca Cola human resource management has created a program to develop the group of internationally minded mid level executives who will offer guidance and control the employees of the company in different branches all over the world. The impact of globalization has affected the manner in which the Coca Cola basic principles of human resource management as a whole is applied on the global scale, to enhance coordination of human resource management to be more effective. With globalization, Coca Cola company human resource management has initiated new plans to ensure the company’s employees from different regions interact in a safe mode despite the differences in their cultures (Farnham & Chartered Institute of Personnel and Development, 2010). To overcome negative impact of globalization on the company’s operations, the human resource management has come up with programs to offe r special training to newly recruited employees. The human resource management is also placing new employees with the old employees to allow them learn work and the values prevalent in the company. Another crucial area in which the effect of globalization has affected the activities of Coca Cola’s human resource management has been in the area of corporate social responsibility (Farnham & Chartered Institute of Personnel and Development, 2010). In an attempt to ensure there is a healthy relationship between the company and the host countries, the human resource department has intensively embarked in a process of studying the environment of different host countries with a view of finding ways in which the company can contribute to the welfare and development of the people. Labor markets deals with issues such as employments, wages, and also unemployment. In the current economy, demographic changes have led to an increase in ageing workforce. This has highly influenced how the Coca Cola human resource department functions. With labor markets providing the structure through which the employees and employers relate, the company’s human resource department has adopted new policies to ensure that the company’s employees are working in conducive working conditions (Farnham & Chartered Institute of Personnel and Development, 2010). The human resource management has also revised terms of engagement with the company’

Project Managment Essay Example | Topics and Well Written Essays - 500 words

Project Managment - Essay Example Resource-based view is a main contributor to a firm’s competitive advantage. It implies the use of both tangible and intangible resources of the firm, so as to gain attributes that let it outperform its competitors (Shrivastava, 1994). Resource-based view (RBV) is a major determinant during the selection a firm’s location. These resources include the firm’s assets, management skills, organisational processes and routines, and the information and knowledge it controls. To begin, the human resource is important for a firm’s success as it encourages convergence and interaction of operations strategy and human resource issue (Thornhill & Amit, 2003). The economics and finance of a firm largely depend on RBV. A firm’s return is hoisted depending on the resources at its disposal. Thus, in selecting a location, the firm should consider the possibility of positive returns in its new location, and this, however, may be hindered by the firm’s heterogeneity (Barney 2001, 638). RBV is entirely, as well, a vital tool in expanding research and entrepreneurial developments in a firm. Through the entrepreneurial process of understanding market opportunities, and the coordination of innovativenes s and knowledge in the firm, the firm’s inputs can be easily translated to heterogeneous returns. Thus, the firm gains a competitive advantage over its competitors (Barney, 2001, 639) The selection of a new location for a firm is supposed to be based on other factors like marketing and customer preferences. Changing to a new location may alter the utilisation of RBV resources, and this may have the effect of either customer value creation or depreciation. Thus, RBV plays a big role in the determination of a new location for a firm. It may lead to a heterogeneous output for the firm if all the RBV resources are utilized with a prior market analysis (Belderbos et al., 2008) The design role in any firm

Ovid Metamorphoses Titian Perseus and Andromeda

Ovid Metamorphoses Titian Perseus and Andromeda As a painting, Perseus and Andromeda (Plate 3.6) cannot narrate the events in the same way as Ovids text, but instead captures the moment of Perseus fight with the sea monster. Titians painting could be considered a translation of Ovids poem insomuch as the key elements of Ovids myth remain; it is authentic in its representation and there are enough correspondences between the two pieces to make it clear that Ovids Metamorphoses is Titians original source. Having said that, Titian produced Perseus and Andromeda for a specific person and purpose, in the manner of other Renaissance artists, and, it was intended to be viewed together with the rest of the Poesie (Gould), so the painting could be described as a hybrid, or even a refiguration of the Ovidian legend. The painting shows Andromeda chained to a rock, her vulnerable pose contrasting plainly with Perseus powerful lunge. There is no mention in Ovids text of either Perseus or Andromedas clothing, except for Perseus sandals; Titian has respected Ovids work in this aspect, giving Perseus his winged sandals instead of the Pegasus that other artists have favoured. Andromedas nakedness in the painting symbolizes her innocence and vulnerability, characteristics also shown in Metamorphoses (Ovid 670-675), and also reflects the Renaissance culture in which the painting was produced. Gould quotes Titians letters to Philip II as evidence of the erotic aspect of Andromedas nudity, particularly when considered with the other poesia. (Gould) This nudity, when taken together with the bright colours used for Perseus clothing, places the emphasis clearly on the soon-to-be couple; our eyes are immediately drawn to the helpless girl awaiting rescue by her hero. Ovid also seems to highlight the heros figh t, dedicating almost a third of the full narrative to it. Titian parts from his source however, by consigning Andromedas parents to the background, if in fact, they appear at all in the extreme right background, a city is visible, and on the shore, a group of people; it is not clear however, whether this group includes her parents, or are those mentioned towards the end of Ovids tale (Ovid 735). Titian again follows the Metamorphoses with his inclusion of what appear to be shells and coral at Andromedas feet. The shells presumably represent the Nereids and are a reminder of the reason for Andromedas fate, while the coral recalling Ovids allegorical description of its creation (Ovid 740-753). The remaining part of Ovids narrative, Perseus sacrifices to the gods, does not appear in Titians painting. This may be simply because, in concentrating on Perseus fight with a sea monster, the painting necessarily becomes a seascape and the sacrifices that Ovid describes occur on land. In my opinion, Titians representation of Perseus and Andromeda is sympathetic to his source and invokes the excitement of Ovids own words. The Renaissance representation reflects some of Ovids more misogynistic elements. My only criticism of the Titian piece is the figure of Perseus, who seems to me to be falling, not fighting. Personally, this gives the painting a comic aspect that Im sure the artist had not intended and detracts from Ovids own emphatic telling of the myth. Part 2 (75 marks) Write an essay of not more than 2,000 words on the following. In what ways does Ovid manipulate a myth in order to highlight his theme of metamorphosis? Do you consider that this technique can lessen the myths impact and coherence at times? Answer with reference to a specific mythic narrative in Metamorphoses. Ovids epic poem brings together a collection of formerly unrelated myths connected by a mutual theme; metamorphosis. The transformations described by Ovid usually occur as a result of love or lust, consensual or otherwise, and are often used to explain the origins of particular animals, plants or natural phenomena. Since Ovid wrote his Metamorphoses, it has often been used as a source of myth, however, when compared to other sources, it is clear that Ovid manipulated the myths, displaying his knowledge of the myths and combining and separating them into new forms to suit his own agenda. Of course, it is the nature of myth that they should be moulded and transformed in each retelling, and this is evidenced in the extant works of the Greek tragedians. Ovid is, at times, faithful to his sources, but at others, he appears to delight in his manipulation of the traditional myths. Ovids chosen theme of transformation is not only seen explicitly within the myths, for example in Arachnes transformation into a spider (Ovid 6.140-145), but also implicitly in Ovids own transformation of the received version of the myths in the classical world. Homer or Hesiods treatment of myth is serious and deliberate, revealing much about the gods destructiveness, unpredictable moods, loves, and personal vendettas, appearing to define the authors perceptions of life itself. While the events may be dramatic, irrational or even comical, they are presented as serious perceptions on the way things are. Modern readers can understand how such tales would explain things such as natural phenomena or the existence of certain creatures. Ovids Metamorphoses however, appears to be primarily a collection of stories for the sake of entertainment and Ovids own fame. Whilst some of the myths retain their didactic elements, for example, Teiresias prophecy that Narcissus would live a long life so long as he never knows himself (Ovid 3.348), others appear to simply emphasize the gods desire to punish, for example Dianas punishment of Actaeon (Ovid 3.139-252). In fact, this change in attitude to the myths in the removal of some of the moral significance can also be described as a metamorphosis. Ovid also includes other transformations in his epic poem, such as transformations in human culture or in the natural world. Ovid highlights his theme throughout the Metamorphoses, emphasizing that everything changes, and that in fact, is the only constant (Ovid 15.176-452). The transformation of Narcissus is one of the best-known of the Greek myths and has inspired writers and artists for over two thousand years. There are several extant versions of the myth; the most well-known of these is Ovids version, found in Book III of his Metamorphoses (completed 8AD). Until recently, scholars assumed that Ovids version was the earliest; however an earlier version was discovered among the Oxryynchus papyri prompting Dr Benjamin Henry, the Oxford scholar who discovered the poem, to claim that the myth was altered by Ovid to broaden its appeal (Keys). This version, attributed to the poet Parthenius of Nicaea, is thought to have been composed some 40 years before Ovids version, and ends with Narcissus committing suicide. Conon, a contemporary of Ovids, tells the same myth in his Narrations and like Parthenius, ends it with Narcissus suicide, while Pausanias later version has Narcissus fall in love not with himself, but with his twin sister (Jacoby). Conons version is a more moral telling of the myth that sees Narcissus punished by the gods for his pride and vanity. The young man Aminias fell in love with Narcissus, and, like his fellow suitors was spurned by him, so took his sword and killed himself by the door, calling on the goddess Nemesis to avenge him. (Atsma) As a result of Nemesis curse, Narcissus fell in love with a reflection of himself in a stream, and in despair and guilt over his treatment of Aminias, Narcissus killed himself. That his death was more brutal than that portrayed in Ovids Metamorphoses is clear in Conons claim that From his blood sprang the flower. (Atsma) Ovids version of the myth begins with Teiresias prophecy that Narcissus should never know himself (Ovid 3.348), and then digresses with the tale of Echo. Echo, cursed by Juno for helping Jupiter to conceal his adultery, was only able to repeat the words she heard at the end of a sentence and never reply for herself (Ovid 3.369). When she saw Narcissus hunting in the woods, she, like many others before her, fell in love with him and followed him, repeating his last words in an attempt to communicate with him. When finally, feels encouraged enough by his words We must come together! (Ovid 3.386) to show herself, he rejects her harshly, Hands off! May I die before you enjoy my body! This is an ironic choice of words give his imminent demise, and Ovid is manipulating the tone here to reflect his earlier description of Narcissus as hard and proud (Ovid 3.353). Echo was left ashamed and broken-hearted, eventually wasting away until only her voice, an echo, remained. The connection betwee n Echo and Narcissus appears to be Ovids own invention since there are no earlier accounts that link the two characters. Ovids departure from the received narrative enables him to include two further metamorphoses in this poem. The first of these occurs when, in her anger, Juno transforms Echo from the crafty nymph with a prattling tongue (Ovid 3.367) to a poor creature (Ovid 3.374) who could only repeat others words, the second when Narcissus rejection of Echo triggers her further transformation into a mere voice (Ovid 3.359). The inclusion of Echo in the Narcissus narrative may not have been usual in Ovids time, but my first reading of the Narcissus myth was in Ovids Metamorphoses, so for me, the two characters have become truly interlinked. I am not inclined to pity Narcissus, so for me, the Echo story heightens the tragic timbre of the full narrative. Without the inclusion of Echo, the Narcissus myth becomes simply a story of a proud, arrogant boy getting his comeuppance, but Echos story invites compassion and even a desire for justice. Together with the additional opportunities for metamorphoses that her story provides, Ovids inclusion of Echo as a new part of the Narcissus myth was in my opinion, inspired, and resulted in a more compelling story. With his metamorphoses of Echo complete, Ovid returns the focus to Narcissus; at the appeal of one of his scorned admirers (Ovid 3.404), Nemesis curses Narcissus to fall in love and never obtain his desire (Ovid 3.405). We then encounter the first of Narcissus transformations the change from thirsting for water to thirsting for himself. Another transformation is Narcissus own character, changing from an arrogant youth with a heart so hard and proud (Ovid 3.354) through love to an anguished youth who welcomes death as an end to his heartache. Ovid subtly alludes to these more implicit transformations that infuse his Metamorphoses. Of course the most explicit transformation of the Echo and Narcissus story is Narcissus own transformation into the narcissus flower. This is the climax of the myth, the realisation of the theme of metamorphosis. Narcissus metamorphosis is the result of his pride, vanity, and his treatment of his admirers; as he rejected others, he is rejected by himself, becoming both the subject and object of unrequited love. Even in death, Ovid suggests that his arrogance continues; as he crossed the Styx to ghostly Hades, he gazed at himself in the river (Ovid 3.504). Ovid builds the suspense of the transformation itself gradually, not revealing the outcome until the final line in the narrative; The body, however, was not to be found only a flower with a trumpet of gold and pale white petals (Ovid 3.510). The fact that the narrative ends with the resulting metamorphosis illustrates Ovids desire to highlight his theme. Ovid uses metamorphosis to explore the social and cultural ramifications of th e events in his poem, for example, Narcissus harsh treatment of Echo resulted in her transformation into a mere voice (Ovid 3.359) Echo essentially lost herself to love. Gildenhard and Zissos believe that the poetic form of Metamorphoses is interrupted by the story of Narcissus, claiming that this confirms that the inclusion of this myth was an afterthought that Ovid felt was necessary to verify Teiresias prophecies. They believe that the Narcissus myth is a replacement for the Oedipal figure that would be expected at this point in the Theban books, quoting Hardies comments that Behind the Narcissus story there hovers the figure of the Sophoclean Oedipus, the glaring absence from the narrative surface of Ovids Theban books, Metamorphoses 3 and 4, but a ghostly presence in much of the drama of blindness, sight, and insight, particularly of the third book. (Gildenhard and Zissos 3) Their essay explores the intertextuality between Sophocles Oedipus Tyrannus and Ovids Narcissus myth, claiming that Oedipus and Narcissus emerge as thematic mirror reflections of each other (Gildenhard and Zissos 13). Gildenhard and Zissos conclude that Ovids inclusion of Na rcissus over Oedipus stems from a desire to concentrate on the members of Cadmus family, and that Oedipus tale would [not] have lent itself easily to inclusion within the tight-knit patterning of Cadmus daughters and nephews (Gildenhard and Zissos 17). However, in my opinion, the story of Echo and Narcissus is simply more appropriate to Ovids chosen theme. Even if Ovid did include it as an afterthought, or a way of proving Teiresias prophecies, he does so in such a way that it amplifies his metamorphosis theme. The story of Echo and Narcissus is one of my favourite classical myths, and also inspired one of my favourite paintings Salvador Dalis Metamorphosis of Narcissus. The tragedy, the anger and the justice of the myth come together with the transformations of the characters to produce a captivating story. The freshness and originality with which Ovid presents a well-known tale make it uniquely Ovidian. His writing is vivid and the story moves quickly, and whilst some may consider the inclusion of Echo a digression, the narrative still flows. In my opinion, Ovids manipulation of some of the key elements of the myth helps to enhance it further. The Parthenius and Conon versions of the myth that end in the suicide of Narcissus lack the poetic justice of Ovids slow decline. In Ovids versions of the myth, Narcissus gradual fading away mirrors Echos demise, and in this way, once again highlights Ovids theme of metamorphoses. When Narcissus is dying, he is not concerned about the world around him, about food, drink or sleep; he takes his last breath by the image he has fallen in love with but can never obtain (Ovid 3.405), and so dies alone, without love. Ovids masterful handling of the narrative gives it an intensity that can be hard to find in retellings of classical myths, but Ovids Echo and Narcissus has stood the test of time and continues to inspire other writers and artists even today. WORD COUNT: 1829

Create dramatic tension Essay

English Coursework- How does Miller use Eddie to create dramatic tension for the audience in ‘A View From A Bridge’?  We could say that ‘A View from a bridge,’ is a tragedy for a number of reasons. Most importantly, if we compare the work of Arthur Miller to a Greek tragedy, we can immediately draw a parallel.  In a Greek tragedy, the hero or protagonist always has a fatal flaw or harmatia in his character. This causes him to make a bad decision, or to commit an unnatural act, which then spirals into the characters peripeteia or eventual downfall. He must then learn his mistake, suffer for his unnatural act and (usually) die. Another important characteristic of a Greek tragedy is the chorus. Usually a single character takes this role and is used to summarize the play, introduce new characters, and explain any action taking place.  The two important things that make the chorus speaker different from an ordinary character are that he can speak directly with the audience, but cannot intervene at any point in the play- a useful device for creating dramatic tension. The idea of a tragic protagonist is illustrated in ‘A View from a bridge,’ using Eddie Carbone, a typical ‘Joe Bloggs’ created by Miller to illustrate an ordinary person, or representative of a nation or class.  Eddie is a very ordinary man, decent, hard working and charitable, a man no one could dislike. This is significant because it causes the audience to feel both pity and fear for the character of Eddie. However, like the protagonist of an ancient drama, he has a fatal flaw or harmatia, in the form of the lust he harbors for his niece Catherine.  Eddie does not really understand his improper desire for Catherine, and thus is unable to hide it from those around him or from the audience. In him, we see this primitive impulse naked, or exposed. This explains Alfieri’s remark at the end of the play, when he says that Eddie â€Å"allowed himself to be wholly known.’  It is Eddie’s desire for Catherine that drives him into making a wrong decision. When the cousins Marco and Rodolpho arrive from Italy, and Catherine falls for Rodolpho, Eddie’s jealousy overboils in the form of a bad decision in this case -calling the Immigration Bureau. The consequences, both social and psychological, of this wrong action, destroy him. As Aristotle said,’ at best, a tragic hero would evoke pity and terror from the audience if he is neither thoroughly good nor thoroughly evil, but a mixture of both.’ This is a perfect combination to create dramatic tension for the audience, because as the audience is ordinary, or mortal like Eddie, we feel terror when we see him make a bad decision, because we know that we are capable of making a bad judgement too. Thus we feel pity for Eddie, as his ‘crime’ doesn’t seem evil enough for the degree of suffering he goes through. It seems his suffering is disproportionate to his flaw. The terror felt by the audience is greatly added to by Alfieri, the chorus speaker, who is used throughout the play to promote a sense of tragedy and inevitability, largely due to the fact that he cannot intervene. This leaves the audience powerless to watch the plot ‘run its bloody course,’ linking back to the idea of inescapable fate or destiny. This makes for a powerful dramatic device, as the audience are compelled to watch what will become of Eddie, even though, deep down, we are almost certain of his untimely end. Alfieri is also important, as he helps to summarize the play, introduce new characters, and explain any action taking place. He also helps clarify the plot to the audience, and hints at underlying themes in the rest of the book -especially the links to justice, poverty, and tragedy. He presents the idea of justice in Sicilian communities by mentioning Yale and other gangsters, and highlights how important justice is to Italians.

Undarstending Life of Older Persons with Special Needs

CHERRYFIELDS HOUSING WITH CARE Address 2D Cherryfields Lawn Hartstown Clonsilla Dublin 15 01 8097 134 begin_of_the_skype_highlighting  [pic]FREE  01 8097 134  end_of_the_skype_highlighting Information Staff is trained to Fetac Level 5 Residents are involved in agreeing their individual plan of care and support which includes medication management, personal care needs, diet/nutrition, social, spiritual and emotional care, all of which are enshrined in the core values of the Organisation.Cherryfields opened in 2006 as the first scheme of its type in Dublin, offering another choice in care to those in need of a more supported living environment. Cherryfields provides 27 units of accommodation specifically for dementia care and 29 units for older people in need of 24 hour care and support. Cherryfields is not a Nursing Home and residents in upstairs accommodation have complete freedom to come and go as they please. Each dwelling is carpeted; ensuite bathrooms are provided with non slip flooring.A range of storage is provided within each dwelling, including lockable units for use by residents. Each dwelling has a TV and telephone point. Residents have a key to the front door of their own dwelling. Staff call points are provided throughout each dwelling in case the resident requires assistance. Cherryfields provides a homely environment within easy access of local shops in Hartstown. At Cherryfields, Fold Ireland has provided three bungalows, each with 2 bedrooms, which are allocated in association with Fingal County Council. ACCOMODATIONFold Ireland currently has two Housing-with-Care Schemes in Dublin; Cherryfields is situated in Hartstown, Clonsilla, Dublin 15 and Anam Cara is in Glasnevin, Dublin 11. Each Scheme provides 56 units of accommodation; ground floor dwellings in each location provide a secure environment for those with dementia. Residents have their own flat let. This is their own home, where each is encouraged to bring personal belongings to ma ke it a home-from-home. Each flat let has built-in wardrobes, en-suite and kitchenette, but is otherwise unfurnished.Both schemes have communal areas where residents can socialise and take part in group activities. Our Schemes have garden and/or patio areas for the residents to enjoy, which are secure, well maintained and sensory in nature. FACILITIES In Housing-with-Care, arrangements can be made for access to hairdressers, dentists, chiropodists and other professional services to come into the Scheme. Residents may of course choose to retain existing arrangements for such services. DINING Fold Ireland believes in providing a well balanced diet for residents using fresh and seasonal ingredients.When a resident moves in, we will discuss their dietary requirements, including any specially prescribed diet. The catering services are inspected by local Environmental Health Services ensuring full compliance with Safe Catering Guidelines and Food Hygiene requirements. Meals are generally served in communal dining rooms, allowing residents to meet and socialise in small groups. There are daily menu choices for each meal. ACTIVITIES Remaining active is the key to a long and health life. At Fold Ireland we embrace this, and Housing-with-Care provides a range of activities throughout the week.Residents are encouraged to bring their own ideas for activities and participate in developing the programme of events. From time to time day trips, shopping outings and evening social events may be arranged. HEALTH The health of our residents is as important to us as it is to you. Where possible residents will retain their own GP and other healthcare providers, or we will assist in arranging new providers where this is not possible. Fold Ireland will manage all aspects relating to medication if required, and can support residents to keep managing these themselves if that is an agreed choice.THE COAST OF HOUSING WITH CARE There is a weekly rent for the accommodation and charge for care services provided. These prices have been agreed with the HSE. The care costs are means tested by the HSE and the rent is payable by the tenant at a rate of â‚ ¬108 per week. Tenants must contribute a small amount to the care costs each week pending their financial situation. A financial assessment is completed by the HSE in order to decide this. The HSE meets each tenant before moving into the schemes. Included in the charge are the resident’s meals, heating, electricity, laundry services and repairs to the property.Services that are not included within the weekly charge are those of a personal choice including: a telephone in your room, hairdressing, chiropody and prescription charges. ELDERLY PEOPLE&THOSE WITH DEMENTIA Our Housing-with-Care schemes for Older People and those with dementia provide a relaxing and friendly atmosphere where the residents can feel secure and cared for. These schemes provide tailored care and support to residents, whilst promoting a heal thy lifestyle through social activities, exercise and other activities agreed with the residents.Residents are encouraged, where possible, to remain in control of their affairs, maintaining their independence for as long as possible. For those with dementia we aim to prolong our residents' cognitive and mental skills through a range of daily activities, which enable them to exercise their minds and bodies. This not only engages them but also provides an ideal opportunity for each resident to socialise. Fold Ireland understands that it is not only the person with dementia that is affected by this condition; it's their family, friends and careers as well.We offer support as needed while the resident progresses through the dementia condition. Fold Ireland works in association with The Health Service Executive. HSE undertakes unannounced, periodic, inspections at both Housing-with-Care Schemes. BIBLIOGRAPHY: †¢ http://www. foldireland. ie/ †¢ http://www. foldireland. ie/pages/ 24/elderly-people-and-those-with-dementia †¢ http://www. foldireland. ie/pages/30/the-cost-of-housing-with-care †¢ http://www. foldireland. ie/pages/29/health †¢